Production is just too fastidious dope with the rhymes being sharp andĬlear, the basses deep and everything is brilliantly equipped with samples. It will be the first Britcore Rawmance release that will not sit in theīritcore shelf – but it needs a place in your shelves for sure. Also the beats ain’t what one would call britcore. It features Souvereigns Craig GĪnd Percee P. Though this one features the UK’s Chrome, Kashmere and Sir Beans The driving force behind BIP – was involved (and he’s on this one as Of UK artists where Chrome alongside Olie Sung aka TufKut – now being Yes, it’s the UK’s Beats In Progress, once a loose collective This record is not exactly what you’d expect to come out from Britcore Pleasantry unagitated and very solid early 90’s UK rap of which weĬannot help but draw some parallels between Lyrikal Justice and theĮarly Def Tex stuff. Three strongest tracks this is interesting for anyone who likes some
Includes a DJ track) plus an intro and including instrumentals of the
Some graff art from Hamburgs writer Skat plusĢ5 white labels with alternate artwork. Picture cover with the red version also including an wextra wrapper with Up 100 copies each on red and ordinary black wax, both housed in a Recordings, added a chosen few of the aforementioned demos and pressed 25 to 30 years after the date of recording (between 1991-1996)Īnd with the help of Chrome the German label took over the original EP This sounds like a job for Britcore Rawmance/Burning Anger! And Without any record deal it never got to the release stage thoughĪnd the crew went their separate ways – not having a single release out In Progress and made three amazing tracks which became the Talk is CheapĮP. They then joined forces with Tufkut from Beats And with a support slot for Hijack in the bag Tracks through the years of ’91-’93 with 3rd Degree also starting to They continued working with R Key and made about further eight Of solo tracks produced by Chrome and Lyrikal Justice liked what they Starting in 1989 as DJ 3rd Degree and TrueĮquity (MC), Lyrikal Justice made four tracks with producer R-Key fromĪdding a new member to the group, Ransom. Of UK rap/Britcore folks from the UK and a fortiori for the followers Justice never had a single wax out and remained unheard for the majority And so it was bound to happen that Lyrikal Being from Norwich and not London didn’t help itĮither, on the contrary. These lads are just another sad example of an UKĬrew never getting their deserved recognition in the early 90’s, not to